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The intriguing objects displayed showed how our ancestors used magical thinking to cope with the unpredictable world around them. They ranged from the fantastical and macabre (a unicorn’s horn, a human heart encased in lead), the beautiful and mysterious (exquisitely engraved rings to bind a lover and medieval books of ritual magic), to the deeply moving confessions of women accused of witchcraft.

The exhibition asked us to examine our own beliefs and rituals, and aimed to show how, even in this sceptical age, we still use magical thinking and why we might need a bit of magic in our lives.

To illuminate the links between past and present, specially commissioned works by contemporary artists provided dramatic responses to the themes of the show, conjuring demons, flames and the scuttling of malignant spirits.

Tom Hogben